Waltz in A minor

What is working: You maintain a basic 3/4 bass-chord waltz pattern in the left hand throughout much of the exercise, keeping the fundamental 'bass-chord-chord' framework present. What to work on next: First and most importantly: what you are playing here is flatly not Chopin's Waltz in A minor (B. 150 / Op. Posth.) or any other Chopin work. The right hand is playing simple five-finger stepwise patterns and scales (such as C-D-E-F-E-D-C around 1:05) over basic block chords, which bears no musical relation to Chopin's piece. You must consult the correct score and learn the actual notes, rhythm, and structure as written. Technically and musically, there are major issues to address: 1. Severe tempo instability and metric pauses: The pulse breaks down frequently with long hesitations between measures and phrase entries, notably at 0:24, 0:42, 0:59, and 1:26. A waltz must maintain an underlying rhythmic pulse, whereas here the rhythm stops completely while you relocate your hands. 2. Heavy, unbalanced accompaniment: The left-hand chords are heavy and struck with the same force as the melody notes, creating a clunky sound. The accompaniment on beats 2 and 3 needs to be played far lighter so the right-hand melody can be heard clearly. 3. Flat dynamics and touch: The execution is dynamic-less and mechanical without key voicing or phrase shaping. Practice slowly with a metronome using the correct score, focusing on a light left hand and continuous rhythmic flow.

Generated 8/3/2026